The Highwaymen movie is a reminder of the influence of Bonnie & Clyde on both Country Music and Southern culture

Netflix has released the trailer for The Highwaymen. The film follows the “untold true story” of the former Texas Rangers (played by Kevin Costner and Woody Harrelson) who captured and killed the notorious outlaws Bonnie and Clyde. The detectives were notable because they relied on their instincts and old school skills rather than the latest technology employed by the FBI.

The film directed by John Lee Hancock (“The Blindside”) follows the untold true story of the legendary detectives who brought down Bonnie and Clyde, during a time when outlaws made headlines and lawmen made history. Texas Ranger Frank Hamer and ex-partner Maney Gault are drawn out of retirement in a last-ditch effort to hunt down Bonnie and Clyde. Based on true events.


The feature film is produced by Casey Silver Productions, with Casey Silver (Godless, Mosaic) serving as producer.


The cast is led by Academy Award winner Kevin Costner (Molly’s Game, Hidden Figures), Academy Award nominee Woody Harrelson (Three Billboards Outside Ebbing, Missouri, The Hunger Games series), Academy Award winner Kathy Bates (Disjointed, The Blind Side), John Carroll Lynch (The Founder, American Horror Story), Kim Dickens (Gone Girl, Fear of the Walking Dead (tv series)), Thomas Mann (Me and Earl and the Dying Girl, Kong: Skull Island), and William Sadler (Power (tv series), The Shawshank Redemption, The Mist)


The Highwaymen is written by John Fusco (Hidalgo, The Forbidden Kingdom), Academy Award nominee Scott Frank (Godless, Out of Sight, Logan) and John Lee Hancock


The movie was shot in New Orleans and Shreveport, Louisiana.


Netflix announced on Monday that its upcoming film, “The Highwaymen,” will debut on the platform on March 29, 2019.

Bonnie Elizabeth Parker (October 1, 1910 – May 23, 1934) and Clyde Champion Barrow (March 24, 1909 – May 23, 1934) were American criminals who traveled the Central United States with their gang during the Great Depression, robbing people and killing when cornered or confronted. Their exploits captured the attention of the American public during the "Public Enemy Era," between 1931 and 1936. Though known for their dozen-or-so bank robberies, the duo preferred to rob small stores or rural gas stations. The gang is believed to have killed at least nine police officers and several civilians. The couple were eventually ambushed and killed by law officers near Sailes, Bienville Parish, Louisiana. Their exploits were revived and cemented in American pop folklore by Arthur Penn's 1967 film Bonnie and Clyde.


Even during their lifetimes, their portrayal in the press was at odds with the hardscrabble reality of their life on the road, especially for Bonnie Parker. While she was present at one hundred or more felonies during the two years she was Barrow's companion, she was not the cigar-smoking, machine gun-wielding killer depicted in the newspapers, newsreels, and pulp detective magazines of the day. Although numerous police accounts detail Parker's attempted murder(s) of officers over time, gang member W. D. Jones contradicted them at trial, claiming he could not recall ever having seen her shoot at a law officer.


The cigar myth grew out of a playful snapshot police found at an abandoned hideout. It was released to the press and published nationwide. While Parker did chain smoke Camel cigarettes, she never smoked cigars.


According to historian Jeff Guinn, the hideout photos led to Parker's glamorization and the creation of legends about the gang.

The story of Bonnie and Clide influenced on country music too. Just a couple of examples.


The Legend of Bonnie & Clyde is the sixth studio album by Merle Haggard and The Strangers released on Capitol Records in 1968. It rose to number 6 on the Billboard country albums chart.


The title track to this album became Haggard's third consecutive number one country single, but it was its B-side, "I Started Loving You Again" (the "Today" was added to the title later), that became a standard and his most covered song. In the book Merle Haggard: The Running Kind, David Cantwell discusses the song's impact, noting that between 1968 and 1975 alone "at least sixty recordings of the song were released. There have been pushing that many again in the decades since, and that's without counting the times it's been performed on television through the years, or during mega-star arena shows and don't-forget-to-tip-your-waitress bar sets, or the just-for-fun semipro and amateur versions YouTube lists into the thousands." 


Singer Bonnie Owens, Haggard's then-wife and band member, played a crucial role in the song's creation. In the episode of CMT's Inside Famethat was dedicated to Haggard's career, Owens remembers that Merle "thought he was out of love with me and wanted out..." Haggard picks up the story, remembering that they were walking through an airport: "I looked at this woman, and she was gorgeous, an absolutely gorgeous lady, and I said, 'You know what? I think I started lovin' you again today.' And she said, 'Turn that around.' And I said, 'Turn what around?' 'Today I started lovin' you again.' I said, 'That gives you half of it.' A few days later Haggard wrote the song alone in a motel room in Dallas. In the same episode of Inside Fame, an emotional Haggard chokes up remembering the first time he played it for her, adding, "Some things are hard to tell."


Owens also co-wrote the album's title track, which was inspired by the 1967 Arthur Penn film Bonnie and Clyde. The song is one of the few Haggard hits from this period to not feature James Burton on guitar, but Glen Campbell, who was about to crack the pop charts with "By the Time I Get to Phoenix" and plays banjo on Haggard's track. The album contains only two songs composed solely by Haggard, with the singer relying on country songwriter Dallas Frazier for three songs and also recording selections by old friends Tommy Collins and Wynn Stewart. "Money Tree" was originally recorded by Haggard's hero Lefty Frizzell.


The Legend of Bonnie & Clyde was reissued by BGO Records along with Pride in What I Am in 2002.


Stephen Thomas Erlewine of AllMusic admires the "unconventional" covers that Haggard chose to record, but states that "they're all overshadowed by 'I Started Loving You Again,' the timeless ballad Haggard co-wrote with Bonnie Owens that stands as one of his greatest moments. Its presence along with the terrific title track and Haggard & the Strangers' restless but quiet musical exploration make The Legend of Bonnie & Clyde another typically excellent album from Hag, who was on a hell of a hot streak late in the '60s, which this simply continues."

"Modern Day Bonnie and Clyde" is a song written by Walt Aldridge and James LeBlanc, and recorded by American country music artist Travis Tritt. It was released in January 2002 as the fourth and final single from his album Down the Road I Go. It peaked at number 8, and is his last top ten hit to date.


The song describes a man who meets a woman at a truck stop in Johnson City, Tennessee. The woman then robs a convenience store, and tells the man to drive away. Then later that night, the man and the woman are both arrested counting the money in a motel room.


Chuck Taylor, of Billboard magazine reviewed the song favorably saying that the song has a "swampy, hypnotic appeal that commands attention." He goes on to say that "the retro intro in this engaging musical outing serves notice that there is something cool and quite different in the air."


The music video was directed by Michael Merriman, was filmed in California, instead of Tennessee, like in the song's lyric, and features actor Billy Bob Thornton, who plays the man. The woman comes up to him at a truck stop and asks for a ride. The woman then robs a convenience store, and asks the man to drive away as the clerk is chasing her down. The man tells her that robbing the store was a big deal, while the woman thought that it was no big deal. He wonders what she was doing with a gun, and he also wonders how much money is in one of her bags. Later that night, at a motel, they're counting all the money, and enjoying themselves, at least until the police arrives, and the man and the woman are both arrested. The woman tries to fool one of the cops into letting her go, but the cop doesn't buy it. Travis Tritt plays the tow truck driver, who tows the man's car away with the man looking at it being towed away, and looking ashamed. In between these scenes, Tritt and 2 band members are also seen performing the song in an office setting.

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